"My relationship with Maggie Smith; well, she got me the job at Potter, practically. So for anyone who doesn’t know that story, I basically owe everything to Maggie Smith, because I worked with her on David Copperfield and then she came on to Potter as McGonagall and said to the director: "You need to audition this boy." So I kind of owe her everything, so to Maggie I just say my fairy grandmother." - Daniel Radcliffe
Let’s take a moment to talk about this. I mean, because first off, “Tell cars not to hit kids.” Well, yeah, we do that all the fucking time, idiot. Ever seen signs like these?
We have classes and signs and laws about it, and people are constantly reminded. So your argument only works if we put up signs everywhere reminding assholes not to rape. But you’d rather talk about how rape victims have it coming to them.
But the dumbest part of this crap? Roads exist for cars to drive on. Children need to be careful to cross the street because they’re entering into an environment that exists specifically for something that is dangerous to them. The only way this shit is a valid comparison is if you think that bars, parties, and the world in general exists specifically for men to have sex with women. And I gotta break it to the guys who support this stupidity- your dicks are not that important. So knock off this bullshit and stop excusing rapists.
In addition, people don’t hit children on purpose. Tragic accidents happen, a driver looks away for a second, a child darts out into the road after a ball. Rape is not an accident. You choose to disregard someone’s “no”, you choose to coerce, or you choose to have sex with someone unable to consent (or rape in any other way). Accidents happen, but rape isn’t one of them.
|Augustus Waters:||"May I see you again?"|
|Hazel Grace:||"Patience, grasshopper. You don't want to seem overeager."|
|Augustus Waters:||"Right, that's why I said tomorrow. I want to see you again tonight. But I'm willing to wait all night and much of tomorrow. I'm serious."|
|Hazel Grace:||"You don't even know me. How about I call you when I finish this?"|
|Augustus Waters:||"But you don't even have my phone number."|
|Hazel Grace:||"I strongly suspect you wrote it in this book."|
|Augustus Waters:||"And you say we don't know each other."|
|girl:||*finds horse who is impaired in some way*|
|girl:||dad can I keep it|
|dad:||no there's no hope for it let's go|
|girl:||dad u idiot u don't get me|
|girl:||*visits horse in middle of the night*|
|*cuts to girl riding the horse in an open field bc she is free and her dad can't control her*|
|dad:||how dare u|
|girl:||just let me prove to u this horse is special|
|dad:||u make me so proud|
With comedy, it’s a combination of knowing the comedic beat was good - it made you laugh, it made people on the crew laugh. With drama, you do something deep and if your stuff was really effective, the ultimate result is silence. Silence is not necessarily… that would also be the result if you sucked.
Let me be your:
7am morning fuck before you go to work
Midday text, letting you know that you’re on my mind
5pm cuddle after a long days work
11pm rough fuck as i pound away the frustrations of your day
2am soft whisper in your ear, as i tell you “i love you”
your confidant….your best friend………..your silly rabbit